Allan Tannenbaum. Debbie Harry has made a career of throwing expectations out the window, subverting her own image in the process. The Blondie frontwoman grew up in New Jersey, where she was supposed to live out a suburban existence as a wife and mother. Instead, she became a New York icon. The atomic downtown goddess ate cars and guitars, and was gonna get you, one way or another. With their punk ethos and reverence for the dance floor, Harry and Blondie emerged as pioneers in early New Wave. But all too often, the singer, songwriter and Rock and Roll Hall of Famer has been reduced to her appearance. Dennis McGuire.
BLONDIE: SONG BY SONG (4 x 30′)
Deborah Harry-I want that man. Deborah Harry-i want that man. Deborah Harry-brite side. Skip to main content.
Buy Vinyl Singles Pop-Rock International since the 90s. Deborah harry / i want that man / bike boy. Lot
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As the lead singer of Blondie, Debbie Harry has lived one of the great pop lives. She has had No 1 singles on both sides of the Atlantic, recorded hit albums, toured with Bowie, influenced countless bands, left a photographic legacy of pure New York street cool, and almost branded a hair colour as her own. And now, at 74, she would like to have a child.
Catalogue Number: CHS Artist: Deborah Harry Tracklist: A: I Want That Man (Remix) B: Bike Boy Sleeve Grading: Ex- Record Grading: Ex Label: Chrysalis.
GQ Editor Dylan Jones talks to Debbie Harry ahead of the release of her new autobiography, Face It, which explores her acting career and her complex relationship with fame, sex and more. In the late Seventies and early Eighties, Deborah Harry and Blondie were spending so much time in the UK, and were on television so often, it often felt as though they were British.
Even though Harry was the quintessential American blonde, an ironic version of Marilyn Monroe, even though the band were about as American as they could be, Britain took them to their hearts and almost made them British. They were so successful in Britain we almost took ownership of them. They were always on television , always in the music press and touring up and down the country.
The privilege of access was not treated lightly by the band and while many US groups tended to be rather patronising towards the UK, Blondie embraced the country and its people.
Blondie’s Debbie Harry on her journey from Jersey dreamer to New York icon
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This was the first single to be released from Def Dumb & Blonde, Deborah Harry’s third solo album. UK 7″ Poster Bag. Producer: Tom Bailey.
Deborah Harry Blondie. There were small gold charms—three of them—hanging from Deborah Harry’s neck as the New Wave princess sat down to relax after a recent Bay Area concert. The tokens were for good luck, she explained, slyly adding, “After all, everyone needs a little luck now and then, don’t they? And then Harry smiled. It was a radiant beam from a photogenic face that in the olden days would have launched a thousand ships, but that night had settled for launching only one. Performing aboard a yacht as part of a radio cruise series, the singer had just finished proving to a delirious crowd that—although her ’70s power-pop band Blondie was no more—she was far from being washed up.
After 15 tough years in the music business, the ish Harry is the same bewitching blond beauty who captivated both rock and fashion photographers in her heyday. She literally peppered her set with sing-along Blondie reminders, too, and then threw in some equally energetic material from a new solo record, Def, Dumb and Blonde.
Debbie Harry on Blondie’s Past and Present
Her recordings with the band reached the number-one position in the United States and the United Kingdom on many occasions from to and a sixth UK number-one in Her acting career includes over 60 film roles and numerous television appearances. Harry learned of her adoption at four years old and later, in the late s, she tracked down her birth mother, who refused to have any contact with her.
Debbie Harry is a singer and actress famous for leading Blondie, a new wave band Another solo album, Rockbird, came forth in , while her single “French Blonde, dropped in , featuring the Top 20 U.K. hit “I Want That Man.
This goes some way to explain how she managed to cram in so much before she became the superstar frontwoman of Blondie. To name but a few of her experiences, as a child, she survived being in a coma as a result of pneumonia; as a young woman in New York, she worked for the BBC, hung out with Andy Warhol and other New York faces, escaped an abusive relationship, became a driver for the New York Dolls, started a girl band, formed Blondie and believes she had a lucky escape from the serial killer Ted Bundy.
I meet her in a suite at the Savoy in London. She appears alone, wearing sunglasses. Harry is tiny despite her platform trainers and pale, with her instantly recognisable peroxide hair swept back. She looks as delicate and ethereal as a dandelion clock, but the sunglasses come off and her eyes are quick and determined. Perhaps it is both.
She remembers staying at the Savoy once with Chris Stein, her Blondie bandmate and then boyfriend, while Prince Charles and Diana were attending a party there. She seems to have stories about everything, which makes Face It an often very funny read. Was it sometimes difficult looking back? Harry is 74, and has been through some traumatic events. Her biggest mistake, she says, was money.
Debbie Harry Is Our June/July Cover Star
Blondie started performing in New York City in Debbie Harry along with musical partner Chris Stein, long time bandmate Clem Burke, and a number of permanent, semi-permanent and short-lived band members have left their mark all the way from the Bowery to Havana. Now, with a long-in-the-works memoir Face It coming later this month, Debbie Harry is busier than ever. Debbie Harry: Hello Richard.
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Debbie Harry is only a month shy of her 69th birthday. When Blondie first made it big, I figured we could get five years out of it, maximum,’ she said. I was trying to get across town to a party. And this guy had an incredibly bad smell to him. Then I started scanning the inside of the car and there was absolutely nothing. I fell out and nearly got run over by a cab.
Ted Bundy: responsible for at least 30 homicides. I could so easily have been one his earliest victims. She often thinks how much she would have missed out on. Playing Glastonbury [on June 27] is more special than most.
Cyndi Lauper and Debbie Harry on ageism, Bowie, Prince and touring
The partnership between Blondie and producer Mike Chapman created a perfect pop record – and catapulted the group from the underground to mainstream chart success. In popular music terms, the s was a decade that swung wildly from glam, reggae, progressive and AOR to metal, disco, corporate, punk, new wave, neo-mod and pure pop.
Featuring catchy songs often performed by talented musicians, the ‘Chinnichap’ formula certainly worked during the halcyon period of , when it accounted for 19 Top 40 UK singles, including five chart toppers.
When Debbie Harry set out to write her memoir “Face It,” her band mate He’s a funny one,” Harry said of Stein. “We were all in awe of this man, this creative genius and artist, “I’ve read stuff in other memoirs and I wish I had been able to say that I invented the cure for cancer, but obviously I haven’t.”.
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DEBBIE HARRY: THE QUEEN OF NEW YORK
But while the band was standout in the burgeoning punk scene, Blondie had eyes on a bigger prize. One Way Or Another, Blondie was going to make it big. While Debbie Harry would lead a world-wide revolution in music from the mean streets of New York, her journey would begin in the suburbs. As she entered her teenage years, Debbie had eyes on Manhattan. The city, especially an area known as the Bowery, was teeming with new music energy.
After Debbie hooked up with future bandmates, including creative partner Chris Stein and drummer Clem Burke, the band felt they were ready for the big time…but could they break through?
“For me, a track like ‘Ride A White Swan’ was pure magic,” Chapman says. All of us producers were trying very hard to sound different from one another, even though For Parallel Lines, the group’s line-up comprised lead singer Debbie Harry, Clem Photo: GEMS/Redferns That’s quite an endorsement from a man who.
Debbie Harry met guitarist Chris Stein in the s, and the two started a band that would later become the world-famous Blondie. Categorized as new wave a genre of music shaped by styles that include punk, electronica, reggae and funk , Blondie eventually met commercial and critical success. Growing up in Hawthorne, New Jersey, Harry sang in the church choir. She tried college for two years before dropping out and moving to New York City in the late s.
Having sang with the band Wind in the Willows and worked as a Playboy Bunny, Harry ended up waiting tables at Max’s Kansas City, a popular club that was part of the downtown art and music scene. Harry later joined the Stilettos, a female trio, and met guitarist Chris Stein, who became a member of the group. Over time, Stein and Harry became romantically involved. In , the two started the band which would eventually be known as Blondie.
Deborah Harry – Sweet and Low
By Michael Kaplan. Every rock star who came up in the s dreamed of hanging out with David Bowie. Debbie Harry , the sex-kitten lead singer of Blondie, had her chance when her band toured with Bowie and Iggy Pop in — but she got a lot more than she bargained for. One night while in New York, the two men let her know they were looking for cocaine, as their dealer had suddenly died, so Harry produced a gram that she had lying around. It was so. Her only complaint?
Harry’s biggest solo hits “French Kissin’ in the USA” and “I Want That Man”. Most of All also includes non-album singles such as “Rush Rush”, “Feel the Spin”.
I do not expect to find her. Since her return to the pop scene in the mid-Nineties, after nearly a decade in reclusive semi-retirement, ungallant members of the press lucky enough to be granted an audience or interview have tended to react by branding Harry an unbearable disappointment, a disastrous shadow of her former glory — a kind of cross between Big Daddy and Miss Piggy.
With her pursuit in later life of careers in areas such as jazz, the theatre and art, the suggestion is, she has sought to become mundane and respectable. So, now, as a fan, arriving at the North London studios where we have arranged to rendezvous, I find myself not looking forward to meeting her. When I arrive in the building, the only person in the grey foyer is a nondescript, middle-aged woman standing lifelessly, waiting for the lift.
Her face is buried, hidden, deep inside an enormous green parka and a kooky green hat she has tied up on her head.